








Atomos Ninja V 5″ 4K HDMI Recording Monitor
Product Highlights
Overview
The Atomos Ninja V is a 5 inch 1″ thick recorder/monitor that records and plays back DCI 4K, UHD 4K, and HD footage from built-in mini-SSDs. It can record Apple ProRes Raw up to DCI 4K24 or UHD 4K30 directly from the sensor of select cameras, with compatibility for additional cameras to be added in a future update. Among it’s features is a 10-bit FRC IPS screen with a brightness of 1000 cd/m², making it suitable for use in both exterior and interior conditions. With the AtomHDR display technology, this monitor enables you to accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space.
For compatibility, it supports popular log formats from Canon, RED, Sony, Panasonic, ARRI and JVC cameras. The settings on this monitor affect viewing and not the quality of the video recording.
The Ninja V is powered from a single L-series battery (Not included). With an aluminium chassis body construction, this monitor includes such features as onscreen exposure analysis, framing, and focus assist tools, as well as anamorphic de-squeeze. Alongside the monitor in the package is a dummy battery, an SSD Caddy, and power supply unit. The Ninja V’s HDR functions are accessed through the MON buttons and its ProRes options are chosen via the arrows on the unit’s upper left corner. Additionally, it can record to both AtomX SSDmini or standard 2.5″ SSD drives, fitting up to 150 minutes of 4K video on a 1TB drive. Separately available are the AtomX Ethernet/NDI and SYNC Expansion Modules to enable you to output live video over IP or add wireless timecode for multicamera shoots respectively.
Features and Abilities
AtomHDR
Supported Log Formats
– ARRI Log C
– Canon CLog / CLog 2
– JVC JLog
– Sony SLog2 / SLog3
– Fuji F-Log
– RED LogFilm
– Panasonic Vlog
HDR Recording
– ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320/ LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600
– Canon CLog / CLog2 / Clog3
– Fuji F-Log
– JVC JLog1
– Panasonic Vlog
– PQ10k, HLG
– RED LogFilm / Log3G10 / Log3G12
– Sony SLog / SLog2 / SLog3
HDR Monitoring
– ARRI ALEXA Wide Gamut
– Canon Cinema / DCI P3 / DCI P3+ / BT2020
– Fuji F-Log
– JVC LS300
– Panasonic V Gamut
– Rec. 2100
– Rec. 709
– RED DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
– Sony SGamut / SGamut3 / SGamut3.cine / BT2020
– Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 on screen.
– Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 / BT2020 / DCI P3 on loop out.
Apple ProRes Raw Recording
Can record 4K footage in DCI or UHD formats up to 60 fps
SSD Recording
Audio I/O
5″ Daylight Viewable Screen
HDR Signal Management
Supports Anamorphic De-Squeeze
Edit-Ready Recording
Optional Expansion Modules – you can use the AtomX Ethernet/NDI and SYNC modules and future module releases
In the box